Today I want to write about a song from The Darkness’s third album ‘Hot Cakes’. As with ‘One way ticket to hell and back’ it’s taken me a ridiculously long time to get from seeing the awesome album cover to listening to the songs. I have no excuse. I discovered the music of ‘Hot Cakes’ about 3 months ago. I am really enjoying it!
However I would say that the erotic possibilities of pancakes are not limited to after they are cooked.
Here’s the song –
I think it’s a brave song which deals with issues other artists have avoided. There is a magic tension between the often stark lyrics and the way they are delivered. I especially like ‘Love is not the beginning and love, love is not the end’. The song forms a circle around the dark or unseen side of relationships. We are moved away from normal romantic imagery and notions, towards new territory. It can be seen as a cautionary song warning that if we idealise love itself, then we are not dealing with love, because love is by nature as imperfect as we are.
I also like the lyrics ‘It can melt a heart of stone and nobody can make it on their own.’
In some ways these lyrics remind me of The Kooks. They appear to be simple, but they open the doors wide for multiple interpretations. Especially as stone really has a melting point, just a very high one. Similarly people with apparently stony hearts, can be reached with love, perhaps just requiring a higher dose! The Kooks say ‘She came to my show just to hear about my day.’ Which is also deceptively simple, especially as ‘show’ can mean ‘an outward appearance’- making the line suggestive of any aspect of interpreting body language etc.
I like the humour of ‘and nobody can make it on their own’ – which brings to mind someone attempting to make love to themselves. This line also pins down the observation that love is by nature a shared thing – and even if it only imagined, it is imagined as a shared thing, and that imagining has shared repercussions.
We cannot make a seashell or stone because they are naturally formed. The song returns love to nature and it’s mystery, and rejects the notion that we can take ownership of it’s power. The way that we imagine love is informed by our experience of it. So there is cycling of emotions occurring in the world around us, and the loops the song make journey through various shared aspects of love itself. Throughout this journey there is a refusal to sway to idealise any aspect of love, and I think that’s perhaps what guides the song to make it’s direct hit.